Friday, June 28, 2013

PSYCHEDELPHIA @ Pageant Soloveev

First Friday//July 5th




Tiger Strikes Asteroid//Ezra Masch



Oliver Herring Lecture//Wednesday



Oliver Herring 
July 3, 12 p.m.

Born in Heidelberg, Germany, in 1964, Oliver Herring currently lives and works in Brooklyn, New York. His early works were woven sculptures and performance pieces in which he knitted Mylar, a transparent and reflective material, into human figures, clothing and furniture. These sculptures are Herring’s homage to Ethyl Eichelberger, a drag performance artist who committed suicide in 1991. Since 1998, Herring has created stop-motion videos and participatory performances with people “off the street.” Herring has received grants from Artpace, the New York Foundation for the Arts and the Joan Mitchell Foundation. He has exhibited at the Museum of Modern Art, the Baltimore Museum of Art and the Kyoto Art Center.

Gerald Nichols Lecture//Monday



Gerald Nichols
July 1, 12:30 p.m.

Fine Arts Professor Gerald Nichols’ undergraduate study was at the Cleveland Institute for Art, followed by graduate and post-graduate study at the University of Pennsylvania, where he was TA to Neil Welliver, teaching Louis Kahn’s architecture students figure drawing and perspective systems. As a founding member of Nexus Gallery Collaborative, he exhibited installations annually, which led to a solo exhibition at the Morris Gallery of the Pennsylvania Academy, to a improvisational group performance with Bricolage Theater Company, and to residing and exhibiting in NYC while teaching at the Philadelphia College of Art, now the University of the Arts.

Thursday, June 20, 2013

Penn State School of Visual Arts MFA Exhibition @ Crane Arts

Penn State School of Visual Arts MFA Exhibition on Show at Crane Arts in Philadelphia

The Penn State School of Visual Arts (SoVA) is excited to announce an MFA exhibition, Novis Oculi, taking place at Crane Arts in Philadelphia from July 3 – 20, 2013. The exhibition features interactive works of art, installation art, ceramic and photographic series, and more. We invite you to attend the public reception Thursday, July 11, 2013, from 6:00 p.m. – 9:00 p.m. at the gallery.
Novis Oculi features SoVA’s current and recently graduated MFA students. Guest curator, New Jersey-based artist Kimberly Camp, chose the titleNovis Oculi because the work, for her, “represents new eyes, fresh perspectives framed in the knowledge of the past and the need to experiment, try the new, depart from what is known....”  “Novus Oculi is an exhibition that blends tradition and experimentation,” said Camp.  “By pushing, pulling and even blurring the lines of what we understand to be the boundaries of contemporary aesthetics, these twenty seven artists are finding their voice and shouting out loud with new indignation, irony, and celebration.”
In acknowledging the role graduate students play in helping us to see things differently, Graeme Sullivan, director of SoVA, says “it is important that our students take up their responsibility as cultural change agents and to achieve this they need to continually put their work in full view of the public.” Novis Oculi is the first in a series of SoVA graduate exhibitions that will be selected by a guest curator and shown in a major urban arts center every two years.
Novis Oculi presents the work of twenty-seven artists, including Nouf Alhamdan, Cassie Berringer, Dengke Chen, Sidney Church, Christina Erives, Jenna Ferraraccio, Matthew Hall, Dana Harper, Kiana Honarmand, Katie Hovencamp, Gabriel Ibias, Gabe Kenney, Margaret Kinkeade, Jennifer Kirkpatrick, Hyunji Lee, Roberto Lugo, Charles Mankey, Anna Margush, Laura Mecklenburger, Kevin Mercer, Oliver Brooks, Jesse Rafalko, Michele Randall, Steven Read, Kevin Reilly, Sarah Swist, and Danyel Woodring. 
To follow event details and onversations about the show, visit:https://www.facebook.com/events/454348404661887/

New Wine Bottle @ Fleisher/Ollman

Current Installation
June 13th - August 30th, 2013

New Wine New Bottle

Kate Abercrombie
Anthony Campuzano
Chris Corales
The Dufala Brothers
Jennifer Levonian
Isaac Tin Wei Lin
Tristin Lowe
Mark Mahosky
Dan Murphy
Nick Paparone
Paul Swenbeck

Fleisher/Ollman’s second exhibition in its recently- opened Arch Street location showcases new work by a selection of gallery artists. While the exhibition highlights a wide range of distinct practices, when seen collectively surprising resonances and inter-relationships come forward, putting into relief ideas such as the urban landscape, mythologies of popular culture, art and narrative, contemporary abstraction, and the primordial.

The Dufala Brothers and Dan Murphy explore what we might call the urban forlorn, looking to the postindustrial landscape of Philadelphia for inspiration. The Dufala Brothers engage ideas of consumption, re-purposing, and use-value, particularly evident in their sculpture and drawing, while Murphy trains his camera lens on both the intentional and accidental manner in which urban environments offer themselves to be read.

How popular culture is received and digested informs the practices of Nick Paparone and Anthony Campuzano—Paparone’s sculputures play with the manner in which goods are branded for different types of consumers, while Campuzano’s drawings revel in the idiosyncrasies of how we transform and personalize the messages of the mass media. Like Campuzano, Jennifer Levonian is attuned to how narratives form our identities. Working in cut-paper animation, Levonian engages with everyday life by focusing on events that often go unnoticed, transforming them into humorously bizarre narratives.

Isaac Tin Wei Lin, Kate Abercrombie, Mark Mahosky, and Chris Corales each have their own particular take on abstraction, but none are standard-bearers for abstraction with a capital “A.” Lin investigates the realm where representation and buzzing abstraction meet using invented calligraphic scripts and colorful patterns. Mark Mahosky presents a group of striped, abstract paintings on panel and newspaper. Their raw imprecision serves as a foil to Abercrombie and Lin’s more exacting methods. Chris Corales’ collages upend our usual assumptions about the medium as a more-is-more strategy by creating minimal works from a variety of scavenged papers that underline a kinship with abstract painting.

Tristin Lowe and Paul Swenbeck share a mutual interest in the primordial, myth, and the occult. In this exhibition, Swenbeck showcases new sculptures that combine his signature ceramics with wire and magnet spine-like forms that suggest animal/plant hybrids. Lowe has long pursued a certain life-giving rationale in his art making, breathing life into mythological and cartoonish inflatable sculptures. In New Wine New Bottle, Lowe examines the origins of life itself with a neon comet. Once considered heresy, scientists are now embracing the idea that life on earth originated from organic molecules inside a comet’s icy core which were released into Earth’s primordial seas billions of years ago upon impact with our planet.

UArts Summer MFA Lecture Series


A Conversation Between Gerard Brown & Astrid Bowlby 

June 26, 12 p.m.
Astrid Bowlby makes drawings, sculptures and installations. She has received Pennsylvania Council on the Arts Fellowships for both works on paper and sculpture/installation, as well as a Leeway Award for Excellence and a Pew Fellowship in the Arts. She has exhibited her work in many venues including the Portland Museum of Art and the Philadelphia Museum of Art. Her work is in numerous collections including the Arkansas Art Center, the Baltimore Museum of Art and the New York Public Library. She is represented by Gallery Joe in Philadelphia and Steven Zevitas Gallery in Boston.

Gerard Brown
 is a painter and writer living in Philadelphia. His creative research addresses the uses of written languages and codes and their relationship to pictures. As a writer, he is concerned with the power of images and descriptions in shaping our understanding of and relationship to the world. He has exhibited his drawings at various venues nationwide, and has contributed essays to exhibition catalogs and scholarly books. He is currently an assistant professor in the Foundations Department at Tyler School of Art.


Gerald Nichols

July 1, 12:30 p.m.
Fine Arts Professor Gerald Nichols’ undergraduate study was at the Cleveland Institute for Art, followed by graduate and post-graduate study at the University of Pennsylvania, where he was TA to Neil Welliver, teaching Louis Kahn’s architecture students figure drawing and perspective systems. As a founding member of Nexus Gallery Collaborative, he exhibited installations annually, which led to a solo exhibition at the Morris Gallery of the Pennsylvania Academy, to a improvisational group performance with Bricolage Theater Company, and to residing and exhibiting in NYC while teaching at the Philadelphia College of Art, now the University of the Arts.

Oliver Herring 

July 3, 12 p.m.
Born in Heidelberg, Germany, in 1964, Oliver Herring currently lives and works in Brooklyn, New York. His early works were woven sculptures and performance pieces in which he knitted Mylar, a transparent and reflective material, into human figures, clothing and furniture. These sculptures are Herring’s homage to Ethyl Eichelberger, a drag performance artist who committed suicide in 1991. Since 1998, Herring has created stop-motion videos and participatory performances with people “off the street.” Herring has received grants from Artpace, the New York Foundation for the Arts and the Joan Mitchell Foundation. He has exhibited at the Museum of Modern Art, the Baltimore Museum of Art and the Kyoto Art Center.

Alec Karros '80 

July 8, 12:30 p.m.
Alec Karros BFA ’80 (Ceramics) is currently an adjunct associate professor of Crafts/Ceramics and Liberal Arts at UArts. He has also taught at SUNY-Oswego and the University of Colorado-Boulder. He received his BFA from the Philadelphia College of Art (now the University of the Arts) in 1980 and his MFA from the Rhode Island School of Design in 1982. He received additional training at the University of Illinois Champagne-Urbana. In addition to his academic work, Alec has been producing one-of-a-kind and limited-edition functional porcelain tableware at his home in Mountainville, N.J., since 1994.

Margery Amdur

July 10, 12 p.m.
Originally from Pittsburgh, Margery Amdur received her BFA from Carnegie-Mellon University and her MFA from the University of Wisconsin in Madison. Since graduation, she has lived and worked throughout the U.S. Amdur has had over 50 solo and two-person exhibitions and has appeared in numerous group shows. Her international exhibitions include Turkey, Hungary and England. She has curated and organized national exhibitions “To Be Or Not To Be,” “A Painters Dilemma 2009” and “Seeing Voices: The Authentic Visual Voice 2010.” The recipient of more than a dozen awards and grants, Amdur has been reviewed in national and international publications including Sculpture MagazineNew American PaintingsSeams to be Constructed and New Art Examiner.

Peter Krashes

July 17, 12 p.m.
Peter Krashes is an artist and community advocate in Prospect Heights, Brooklyn, with a work practice as a painter that embraces his efforts outside the studio. Themes of engagement, empowerment and critique are part of his painted political narrative. His work has been exhibited in the He Xiangning Art Museum in Shenzhen, China, the Aldrich Contemporary Art Museum in Connecticut and Michael Klein Gallery in New York. Among the grants he has received are a Joan Mitchell Foundation Painter and Sculptors Grant and a Marshall Scholarship for study at the University of Oxford. He has taught art in numerous places including Cooper Union for the Advancement of Science and Art, Skowhegan School of Painting and Sculpture, American University, Rutgers University, and the University of the Arts.

Del Harrow

July 24, 12 p.m.
Del Harrow is a sculptor and educator based in Fort Collins, Colo. He is an assistant professor of Art at Colorado State University and taught previously at Penn State University and Kansas City Art Institute. He has lectured widely at the University of Colorado, Alfred University and the Harvard University Graduate School for Design, among others. He has taught a number of workshops – recently at Penland School, Haystack Mountain School and Cranbrook Academy of Art – that address digital and parametric modeling in conjunction with analog fabrication and “hands-on” work with clay. His work explores this same intersection of digital design with manual and skill-based fabrication processes and has been shown recently at the NCECA conference, the Dolphin Gallery in Kansas City, Mo., and the Denver Art Museum.

Alex Lukas

July 31, 12 p.m.
Alex Lukas was born in Boston in 1981 and raised in nearby Cambridge. With a wide range of artistic influences, Lukas creates both highly detailed drawings and intricate ‘zines. His drawings have been exhibited in New York, Boston, Philadelphia, Los Angeles, San Francisco, London, Stockholm and Copenhagen, as well as in the pages of MegawordsSwindle QuarterlyProximity MagazineDwell MagazineJuxtapozArt New England and The New York Times Book Review, among others. Lukas’ imprint, Cantab Publishing, has released over 35 small books and ‘zines since its inception in 2001. He has lectured at the Rhode Island School of Design, the Maryland Institute College of Art and the University of Kansas, and has been awarded residencies at the Jentel Foundation, AS220 and the Bemis Center (upcoming). He is a graduate of the Rhode Island School of Design and now lives and works in Philadelphia.

Mi-Kyoung Lee MFA '96

August 7, 12 p.m.
Mi-Kyoung Lee MFA '96 (Book Arts/Printmaking) is an associate professor and the head of the Fibers program at the University of the Arts. In addition to her MFA from UArts, Lee holds an MFA in Fibers from Cranbrook Academy of Art in Michigan and a BFA in Fibers from Dong-A University in Busan, Korea. Lee has had 11 solo exhibitions and a number of national and international shows, including the Reading Public Museum, Cranbrook Museum of Art, New York and Chicago SOFA, Busan Metropolitan Museum in Korea, and most recently a solo exhibition at the Painted Bride Art Center in Philadelphia. Her work has been represented by Snyderman-Works Gallery in Philadelphia since 2004. She received a Junior Minority Faculty Grant Award from the Lindback Foundation in 2004 and 2007. Lee was an editor for Art Textile of the World: Korea, Volume I, which was published in December 2005 by the Telos Art Publishing company in London. Since 2005, she has collaborated with the International Opera Theater to develop costumes and set designs, assisted by University of the Arts interns. These projects, "The Winter's Tale," "The Tempest," "Romeo Juliet" and "Buffalo Soldier" were performed in Italy. Lee is working on an upcoming project titled "Camille Claudel."

Alex Da Corte '04

August 14, 12 p.m.
Alex Da Corte BFA '04 (Printmaking) was born in Camden, N.J., in 1981 and currently lives and works in Philadelphia. He received his BFA from the University of the Arts and his MFA from Yale University in 2010. Da Corte has recently mounted solo shows and presentations at the Institute of Contemporary Art, Philadelphia; Artspeak, Vancouver; Mother's Tankstation, Dublin; the Institute of Contemporary Art, Portland, Maine; and Nudashank, Baltimore. His work has been shown at MoMA PS1, the Museum of Modern Art and the deCordova Museum, and he has participated extensively in gallery and non-profit exhibitions in New York, Philadelphia and internationally. In 2012, Da Corte was named a Pew Fellow in the Arts by the Pew Center for Arts and Heritage, Philadelphia. He is represented by Joe Sheftel Gallery in New York City.

Monday, June 10, 2013

Brown/Bowlby Visiting Artist

Astrid Bowlby




Gerard Brown
















June 26th 
Visiting Artist lecture
Gerard Brown // Astrid Bowlby

12 - 1 p.m.
CBS Auditorium


Suggested Readings for Graduate Students//Artists

RSS // Suggested Readings:
IN PROCESS 

AUTHORS
Walter Benjamin
            Art in the Age of Mechanical Reproduction
            What is Epic Theater?
            Arcades Project

Roland Barthes
            Camera Lucida
            The Responsibility of Forms
            The Death of the Author

Yves-Alain Bois
            Painting As Model
            Formless (with Rosalind Krauss)

Benjamin Buchloh

Michael Fried
            Art and Objecthood
            Absorption and Theatricality

Clement Greenberg
            Avant Garde and Kitsch
            Modernist Painting

Rosalind Krauss
            Passages in Modern Sculpture

Merleau-Ponty
            Cezanne’s Doubt

Thierry de Duve
            Kant after Duchamp
            When forms become Attitude—and Beyond

Susan Sontag
            Against Interpretation           

Roland Barthes
            Camera Lucida
            Mythologies

John Berger
            Ways of Seeing

Martin Heidegger
            Poetry, Language, Thought

Arthur Danto
            After the End of Art
            Unnatural Wonders

David Hickey
            Air Guitar

Hal Foster
            Return of the Real
            Art Since 1900

Lyotard
 The Postmodern Condition: A Report of Knowledge

V. Meyerhold
            On Theater

Viktor Shklovsky
            Art as a Device

Charles Sanders Peirce
            Peirce on Signs

Linda Dalrymple Henderson
            The Fourth Dimension and Non-Euclidean Geometry in Modern Art

Charles Harrison
Conceptual Art and Painting: Essays by Art and Language
Modernism, Criticism, Realism: Alternative Context for Art, (with Fred Orton)

John Roberts
The Art of Interruption: Realism, photography and the Everyday
The Intangibilities of Form: Skill and Deskilling in Art After the Readymade

Anna Chave
Minimalism and the rhetoric of power.

Mira Schor
            Wet

Susan Stewert
            On Longing
            The Open Studio

Rilke
            Letters to a Young Poet

Siri Hustvedt
            Mysteries of the Rectangle

Serge Guilbaut
How New York Stole the idea of Modern Art

Richard Hertz
            Jack Goldstein and the Cal Arts Mafia


THEORY
Deleuze
A Thousand Plateaus (with Guattari)
Francis Bacon: The Logic of Sensation

Baudrillard
            Simulacra and Simulation
           
Guy Debord
            The Society of the Spectacle

Bourriaud
            PostProduction
            Relational Aesthetics

Foucault
            What is an Author?
            The Foucault Reader

Derrida
            The Truth in Painting

COMPELATION TEXTS//ON THEORY
Jonathan Culler
            Literary Theory: A Very Short Introduction

Terry Smith
            What is Contemporary Art?           

Lois Tyson
            Critical Theory: A User-Friendly Guide

Maurice Tuchman
The Spiritual in Abstract Painting


ARTIST TEXTS
Donald Judd
            Specific Objects

Gerhard Richter
            The Daily Practice of Painting

Philip Guston
            Collected Writings, Lectures and Conversations

Agnes Martin
            Writings

Robert Smithson
            Collected Writings

Robert Motherwell
            Collected Writings

BIOGRAPHY
Musa Mayer
            The Night Studio (Philip Guston)

James Lord
            Giacometti: A Portrait (Giacometti)

Susanne Kippenberger
            Kippenberger: The Artist and His Families (Martin Kippenberger)

BOOKS
Schwabsky, Barry.      
Vitamin P (New Perspectives in Painting)
            Vitamin P II
            The Triumph of Painting  (An Art That Eats its Own Head)

Chipp
            Theories in Modern Art

Stiles
            Theories and Documents in Contemporary Art





Tuesday, June 4, 2013

Faculty Lecture//Eileen Neff






Faculty Lecture: Eileen Neff
June 24th
12:30-1:30 CBS Auditorium